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Ajay Gehlawat

Professor of Interdisciplinary Studies, Theatre & Film

Ajay Gehlawat
Ajay Gehlawat

Contact

gehlawat@sonoma.edu

Office

Carson 33

About

Professor Ajay Gehlawat explores how film, culture, and storytelling shape the way we understand identity, society, and the world around us.

His teaching and research focus on international cinema, Bollywood, film theory, and cultural studies, with particular attention to South Asian cinema and the global influence of popular film.

His scholarship examines the connections between cinema, politics, gender, race, and cultural identity. Through interdisciplinary learning, he encourages students to look beyond entertainment and discover how films reflect and influence the societies that produce them.

Education

DegreeInstitution
Ph.D., Theatre and FilmCity University of New York Graduate Center
M.A., Cinema StudiesNew York University
B.A., EnglishUniversity of California, Berkeley

Academic Interests

  • International Cinema & Film Theory
  • Bollywood & South Asian Cinema
  • Film, Politics & Society
  • Gender, Sexuality & Cultural Identity
  • Race & Ethnicity in American Cinema
  • Documentary Film
  • Postcolonial & Critical Cultural Studies
  • Global Popular Culture

Research

Cinema, Culture & Global Storytelling

Professor Gehlawat's research explores how popular cinema reflects cultural identity, political movements, gender, and social change.His work examines Bollywood's global influence, representations of race and ethnicity, and the ways films communicate ideas about culture, society, and belonging. Ajay connects film studies with broader questions about history, politics, and contemporary life. 

Selected Publications & Presentations

Books

PublicationPublisher & Year
Routledge Handbook of South Asian Cinemas (Co-editor with Jayson Beaster-Jones)Routledge, 2026
Bollypolitics: Popular Hindi Cinema and HindutvaBloomsbury, 2024
The Evolution of Song and Dance in Hindi Cinema (Co-editor with Rajinder Dudrah)Routledge, 2019
Twenty-First Century BollywoodRoutledge, 2015
The Slumdog Phenomenon: A Critical Anthology (Editor)Anthem Press, 2013
Reframing Bollywood: Theories of Popular Hindi CinemaSage, 2010

Selected Articles & Book Chapters

PublicationJournal / PublisherYear
Disco Nazia: Disarticulating Female Playback and the Heroine in Early 80s Hindi CinemaSouth Asian History and Culture2023
Hungama Ho Gaya? The Erotic Threat of Female Intoxication in Hindi Film SongsFeminist Media Studies2023
Female Bonds in BollywoodInternational Journal of James Bond Studies2022
Plus-Size Femininity: The Multiple Figurations of Bhumi PednekarRutgers University Press2021
From Indianization to Globalization: Tracking Bond in BollywoodAmsterdam University Press2020
Having It Both Ways: The Janus-Like Career of Kareena KapoorSpringer2020
Main Hoon Farah: The Choreographer as AuteurSage2017
From Vamp to Queen: The Remixed Sound of the Bollywood SceneRoutledge2016
Why Harold and Kumar Go to White Castle: The Representation of Otherness in Mainstream Teen CinemaPeter Lang2013
The Strange Case of The Princess and the Frog: Passing and the Elision of RaceJournal of African American Studies2010

Selected Presentations

PresentationEventYear
The Politicized End Credits Song Sequence of JawanMusic and the Moving Image Conference, New York University2026
All the Other -Ollywoods: Cinemas of South AsiaInstitute for South Asia Studies, UC Berkeley2026
The Modi-fication of BollywoodAnnual Conference on South Asia2023
Soooooryavanshi! The Hindutva Soundscape of Contemporary BollywoodAnnual Conference on South Asia2023
Black Voice, Brown Skin: Auto-Tuning Akon for BollywoodUC Berkeley2017
Here Comes the Bollywood Bride: Rearranging Marriages in 21st-Century Indian CinemaSonoma County Museum2015
Where Is This Story Going? The Paradiegetic Pleasures of Popular Hindi CinemaAsian Art Museum, San Francisco2015